David Otis Castonguay
Radford University
email: dcastong@radford.edu
Maintaining
Vocal Health Graphic
For many school-aged singers, the choral director is the only significant
source of professional instruction and advice they will ever receive
about their voice. The choral director is their first line of defense
for vocal health. A conductor's skill at diagnosis of vocal faults
must be matched by a willingness to refer students to the proper
health care professional. This is a copy of a handout presented
to students in choral conducting and vocal pedagogy classes at Radford
University. In addition to the sources cited in the bibliography,
and my own experience, this material is drawn from the work of Van
Lawrence, M. D., Otolaryngology and Paul Brandvik.
1. Try your best to maintain good general health.
Avoid viral colds (a regimen of washing hands hasbeen shown to reduce
the transmission of cold viruses). Some advocate vitamin C and zinc
lozenges, while I find these effective I would recommend their use
these only after the student has consulted a physician.
2. Emotional and physical stress both contribute
significantly to vocal distress. Exercise regularly. Using your
major muscle groups in jogging,etc. is an excellent way to diminish
stress. NOTE: extensive power weight lifting will place some wear
on the vocal folds, this should be avoided during times of extended
vocal use or vocal fatigue.
3. Eat a balanced diet. At times of extended vocal
use avoid large amounts of salt and refined sugar, spicy food such
as Mexican, Szechuan Chinese, as well as excessive amounts of food
and/or alcohol. One may note hoarseness in the larynx or dryness
of the throat after drinking significant amounts of alcohol, caffienated,
as well naturally or artificially sweetened beverages. The body
needs water to metabolize these foods and beverages, excessive consumption
of these items will reduce the amount of water available to hydrate
the voice.
4. Maintain body hydration (7-9 glasses of water
a day) and avoid known dietary diuretics such as caffeine and alcohol.
Moisture is a necessary lubricant of the vocal folds. When one's
body is dehydrated laryngeal lubrication diminishes and wear takes
place at a much greater rate than normal.
5. Avoid dry, artificial interior climates. Laryngologists
recommend a humidity level of 40-50%. Much body moisture is lost
while breathing air in low humidity climates, i.e., air conditioned
or heated rooms (routinely 10-20% moisture), cars, buses, etc.
6. Avoid smoking cigarettes, cigars, pipes. These
are bad for the heart, lungs, and vocal tract of not only yourself,
but others around you as well. Avoid other irritant inhalants, i.e.,
marijuana. In addition to the debilitating effect on the vocal tract,
you need your head on straight when you sing.
7. Avoid breathing smoggy, polluted air, i.e., car
exhausts, smoky bars and lounges when you are vocally tired.
8. Avoid the use of local anesthetics when you are
singing. The anesthetic effect masks any signs of injury, therefore
encouraging further abuse of the folds. Additionally, singing under
their influence is like playing the piano with gloves on (Chloroseptic,
Parke-Davis Throat Discs, etc.).
9. Question the use of progesterone dominant birth
control pills. These cause a virilization of the female larynx and
a decrease of range in your upper register. There may be no other
solution for your particular situation, however. The treatment of
endometriosis often includes pharmaceuticals which cause permanent
vocal changes. Inform your doctor that you are a singer if you are
undergoing treatment for this disease.
Vocal Use Practices
1. Avoid hyperfunctional use of your voice, i.e.,
learn to use your voice with as little effort and tension as possible.
A high school or collegiate singer in training should be able to
sing for 3-4 hours per day (when healthy) without debilitating the
next day's singing activity. If one cannot sing for this length
of time without some disablement, then one should consider a reevaluation
of present singing or speaking habits.
2. Keep in mind that the degree of individual vocal
conditioning and innate vocal capacity to endure wear and tear relate
directly to the amount of singing or speaking one can do each day.
3. Avoid singing in a tessitura which is continually
near the extremes of your own range (both high and low). Carefully
pace the use of register extremes (such as pushing the chest voice
into the upper range for effect, i.e, belting). MISUSE OR OVERUSE
HERE CAN BE VOCAL SUICIDE.
4. Before singing or using the voice in unusual
ways (public/dramatic speaking), do some vocal warm-ups. As in any
physical activity, the warm-up should proceed from general stretching
through less strenuous to more strenuous usage. Loud volume and
high range are the most strenuous of usages,therefore, begin in
the mid-range with easy production. At every stage along the way,
evaluate your present day vocal condition, and adjust your rehearsal
activity accordingly. Every voice is different, but 7-10 minutes
of warm-up is usually the minimum.
5. Reduce general voice use prior to a concert.
While riding the bus to the program, have a quiet period when everyone
can conserve energy for the task that is at hand.
6. Avoid shouting, screaming,loud laughter, and
heavy throat clearing. Necessary coughing and sneezing should be
as gentle and as nonvocal as possible.
7. If it feels bad, don't do it.
Common Signs of Significant Vocal Abuse
1. Throat is tender to the touch after use.
2. Voice is hoarse at the end of singing.
3. Throat is very dry, with a noticeable "tickle"
that is persistent. Check dehydration.
4. Inability to produce your highest notes at pianissimo
volume.
5. Persistent hoarseness or an inability to sing
with a clear voice after 24-48 hours of vocal rest.
Treat your voice and body sensibly when you feel
vocally run down. This necessitates the development of accurate
perceptions by the singer of why the voice is feeling tired. Accurate
self-evaluation will lead one to therapeutic practices which will
return you to vocal health in the shortest period of time. In doubt?
seek professional help.